Archive for February, 2011

P.S

Any suggestions for songs lyrics/poems that mean a lot to you and link strongly to an emotion?

Till next time…

After a group discussion yesterday, I expressed my concerns about making several animations for my outcome and my ideas of perhaps making a series of books for each emotion instead. Phil also pointed out that stop motion would be very difficult with type moving on bodies-any slight movement could really change the letterforms also that you’d have to match certain letters each time. Talking further about the idea of books, suggestions came up about perhaps making them tactile, boxes with other objects, bind my own books etc. This was an eye opener as I had only imagined professional, glossy books. I think as I dig deeper through the project, the outcome for each emotion will become apparant…I hope! I think worrying about the final, polished outcomes has clouded my thoughts about what the possibilities might be. Definately a beneficial group discussion.

So plans for this week are:
Draw up larger (and neater!) storyboard for Jealousy with a few alternate options for certain shots to explore and find the most striking visual
Explore ideas for other emotions.
Look into different types of books.
Flick through arty/graphics books for any inspiration!
Get models sorted.

By the end of next week:
Shoot Jealousy.

Bang! Bang!

“Got to be starting something”

So last night I had found a blog for the photographer Mark Velasquez and his work ‘Secret Thoughts’  http://inspiredbyproxy.blogspot.com/2009/03/mark-velasquez-project-secret-thoughts.html

The photos have got me thinking about lighting etc to create the shadows to emphasise the contours of the body. At the moment, I am thinking of using my kitchen (with taut black or white sheet as a backdrop) as I have 2 adjustable halogen spot lights which would hopefully enable me to control the light and shadows over the body. Looking closely at his photographs, I noticed that a few of the lines of text slope slightly, I think this is beacause of the model changing position (even slightly) can completely change the surface and therefore the letterforms. It is starting to dawn on me that words on skin is going to be a bit more difficult than anticipated however, don’t panic! Practice makes perfect. And that’s the point of me doing lots of experiments for trial and error to create the best possible outcome.

I started my first few experiments when I got home. At the moment just my hand and arm as there is no one here to practice on.

This ‘stamped hand’ experiment is with very small rubber stamps and ink stamp pad. I really like the ransom feel, mixed letterforms anyway and have tried them before on skin with facepaint. “These” & “Stamps” are with the ink pad and the rest with black facepaint. Using the facepaint added a certain amount of control as I can decide how thick to have it. The ink pad words are much lighter, if I pressed down harder then it created small rings around the letter. However, I think that it should be taken into account that I have gone across my fingers which are probably one of the harder areas to do as they are bony and uneven. I think I will try with these again. I hope that they may come in handy for any very small areas which requires very small lettering (and a very steady hand.)

 

The next is an experiment of using skin to transfer words onto other skin, in this case from my lips to my hand. I’ve used facepaint as well as lipstick. It worked fairly well however, I did find it difficult to neatly write on my lips although I am not sure whether it was largely to do with me doing it on myself in the mirror or whether it’s because lips are so soft and move as you apply pressure. I did try with the stamps as well as my hand but unfortunately, when transferred the letters are the worng way around. This is definately something I am going to attempt again but next time on another person to see if there is a significant enough improvment.

Derwent Inktense pencils-water soluble ink pencils may become my new best friend. They were really easy to apply and I found easier to control as I am more used to pencils than paintbrushes. I do have to be a bit careful though, as you can see that I had too much water on it on the ‘H’ and has bled onto the skin.

 

 

 

 

 

 

 

These next photographs are using ink and one size paintbrush. I experimented a little with different typography but mainy concentrated on trying different compositions on the arm, trying to work with the shape. At some points it was difficult to get a straight line as I had my arm twisted in a certain way-again, need to try this out on someone other tha myself. I’ve also had a go at shading (dry brush and watering down). The large ‘B’ on the left was created by pulling the ink with a corner of some kitchen roll. The words ‘paint’ were done with the opposite end of the paintbrush.

This crackle effect is after I had run cold water over my arm (the ink had fully dried previous) and then I rubbed my hand over it. Looks really effective on the large, bold letters.

Initial Ideas Group Discussion

After discussing my initial ideas with the group today (you guys!) I’ve decided to go on the advice to expand my idea further by looking into other emotions other than jealousy. Jealousy is a strong emotion which may make us act physically in a certain way which we cannot control which is where the idea of type on bodies became relevent as it shows the physical effect it can have over us. Not the only emotion to do so and so can be easily adapted into the project. I will of course focus on the stronger ones-perhaps lust, fear, anxiety….these are bad aren’t they? Maybe love can go in there too…is lust bad? Something you can’t really control anyway. What do you think?

Now that I have broadened the horizons, other things I had somewhat set on need to be re-worked and thought more about. My original intention was that the outcome would be an animation. Now I am considering whether it would be better as still images. This doesn’t cause too much of a problem as the type of animation I was planning to do would have been stop motion from photographs so I suppose it doesn’t really matter as it gives me the option to do both (whichever I think contributes more to the work at the time). If I do decide to use stills then obviously I will then have to think about how I am going to present it-album, book, series across a wall etc.
Another question has popped up now that I am considering other emotions is what those emotions will say. My jealousy ideas all use lyrics from Mr Brightside by The Killers, so do I use other lyrics for the words in my other emotions-or perhaps poetry? I’m not sure whether it really matters if it’s lyrics or not, as long as it’s something poignant.

Any comments would be lovely and a great help.

Put the kettle on love, I might be here a while…

 

 

 

Scribbling Down Initial Ideas

So this morning in a dull, clouded light, I have started to make a dent in my sketchbook by scribbling down my ideas and thinking up new ones in the process. I realise that I am going to have to do lots of little experiments testing out experimental typography on bodies etc. For example, I would like to try writing a word under the eye in something like wax or maybe vaseline and then have black eye makeup running down the face and revealing the word. Also, I would like to try printing from one persons skin to another. Really, I think I should try these little experiments now so that I’m fully prepared when it comes to making a storyboard knowing what is definately going to work and look most effective.

Aching eyes.

Little Brainstorm and Shakespeare

Wasn’t quite sure where to start. I hate starting a new, blank sketchbook! I have some kind of idea of what the outcome is going to be but it’s getting to that bit. I suppose my general theme is jealousy, which I want to explore through sound, animation and possibly stills. Maybe that’s just it. I just need to unpick it more. So I thought I’d start with a brainstorm about jealousy: feelings (emotional and physical). Whilst browsing through the internet, I’ve found that jealousy uses the same part of the brain as physical pain (love hurts folks) and had a little look into the origins of the term ‘green-eyed monster’. Here is a nice bit of Shakespeare for you from The Merchant of Venice, 1596:

How all the other passions fleet to the air,
As doubtful thoughts and rash embraced despair,
And shuddering fear, and green-eyed jealousy! O love,
Be moderate; allay thy ectasy,
In measure rein thy joy; scant this excess.
I feel too much thy blessing: make it less,
For fear I surfeit.

(surfeit means an excessive amount of something. I had to look it up!)

My First Post…boo!

Hello, this blogspot is dedicated to my MAJOR PROJECT for my last year of uni doing Visual Communication. I have got an idea in my head…but bear with me, I need a night of getting down what’s in my head on paper then I will be able to articulate it into words for you! 🙂 thanks

1st time blogger, me.

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